Performing Archives of Passing, Moving Bodies across Language
DOI:
https://doi.org/10.25071/1925-5624.37813Resumo
Este diário experimental de uma viagem por um processo narra uma obra de pesquisa-criação que lida com um “multicrosser” do século XVIII: Esther Brandeau/Jacques La Fargue, suposta judia que se passou por cristão e foi também a primeira pessoa judia (de que se sabe) que chegou ao território hoje chamado Canadá. Desmascarada em ambos os planos e deportada, essa figura histórica passou por vários eixos de diferenciação simultaneamente. Esse movimento, essas diversas dissimulações simultâneas, e a evidência fraturada que levou essa vida ao conhecimento, ditam maneiras específicas de trabalhar a fim de traduzir um registro de interrogatório em francês colonial no presente colonial. Este artigo descreve a complexidade de traduzir a primeira produção de teatro experimental que compete com essa história, ribcage: this wide passage, de Heather Hermant, para o francês, como thorax : une cage en éclats (tradução de Nadine Desrochers). A autora situa essa prática como pesquisa em discussões sobre o corpo como arquivo e o que constitui conhecimento, propondo a prática como pesquisa como sendo uma dimensão em que uma “nova intersecionalidade” pode ser melhor elaborada, e propondo o corpo como sendo tradutor/tradução através de línguas e gêneros, temporalidades e espacialidades.
Referências
ANF (Archives nationales de France). "Procès-verbal de l'interrogatoire d'Esther Brandeau jeune juive qui "s'est embarquée ..." Série C11A, Fonds des Colonies, Correspondence générale, Canada, 15 September 1738: 66-99. Microform. Library and Archives Canada. Fiches #129-130.
Alexander, M. Jacqui. Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred. Durham: Duke UP, 2005. Print. DOI: https://doi.org/10.1215/9780822386988
Barrett, Estelle and Barbara Bolt, eds. Practice as Research: Approaches to Creative Arts Enquiry. London: IBTauris, 2007. Print.
Bourdieu, Pierre. The Rules of Art: Genesis and the Structure of the Literary Field. Stanford: Stanford UP, 1995. Print.
Burshatin, Israel. “Written On the Body: Slave or Hermaphrodite in Sixteenth Century Spain.” Queer Iberia: Sexualities, Cultures, and Crossings from the Middle Ages to the Renaissance. Eds. Josiah Blackmore and George S. Hutcheson. Durham: Duke UP, 1999. 395-420. Print.
Cavanagh, Robin. “Welcome: The Next 500 Years...” York University. Eco Art & Media Festival, York University, Toronto. 7 March 2012. Workshop.
Chapman, Owen, and Kim Sawchuk. “Research-Creation: Intervention, Analysis and ‘Family Resemblances’” Canadian Journal of Communication 37.1 (2012): 5–26. Print. DOI: https://doi.org/10.22230/cjc.2012v37n1a2489
Cole, Ardra L. and Gary Knowles, eds. Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues. Thousand Oaks: Sage, 2008. Print.
Connerton, Paul. How Societies Remember. Cambridge: Cambridge UP, 1989. Print. DOI: https://doi.org/10.1017/CBO9780511628061
Dekker, Rudolf and Lotte C. Van de Pol. The Tradition of Female Transvestitism in Early Modern Europe. New York: St. Martin's Press, 1989. Print. DOI: https://doi.org/10.1007/978-1-349-19752-1
Dinshaw, Carolyn. Getting Medieval: Sexualities and Communities, Pre- and Postmodern. Durham: Duke UP, 1999. Print. DOI: https://doi.org/10.1215/9780822382188
Fleishman, Mark. "The Difference of Performance as Research." Theatre Research International 37.1 (2012): 28-37. Print. DOI: https://doi.org/10.1017/S0307883311000745
Fredrickson, George M. Racism: A Short History. Princeton: Princeton UP, 2003. Print.
Freeman, Elizabeth. Time Binds: Queer Temporalities, Queer Histories. Durham: Duke UP, 2010. Print. DOI: https://doi.org/10.1215/9780822393184
Ford-Smith, Honor. "Give thanks." Message to the author. 8 Mar. 2013. Email.
Gilman, Sander. Difference and Pathology: Stereotypes of Sexuality, Race and Madness. Ithaca: Cornell UP, 1985. Print.
Goldberg, Theo David. The Threat of Race: Reflections on Racial Neoliberalism. Hoboken: Wiley- Blackwell, 2009. ebrary PDF file.
Hermant, Heather. "Performing (Readings of) Moving Across as Decolonial Praxis." Everyday Feminist Research Praxis: Doing Gender in The Netherlands. Eds. Koen Leurs and Domitilla Olivieri. Cambridge: Cambridge UP. Forthcoming. Print.
Hermant, Heather. "Becoming Archive—ribcage: this wide passage." Canadian Theatre Review 153.1 (2013): 39-43. Print. DOI: https://doi.org/10.1353/ctr.2013.0007
Hermant, Heather. "Becoming Archive: Performance as Archival Research and the Story of an 18th Century Multicrosser." Performance Practice as Research Working Group, 8th Encuentro of the Hemispheric Institute of Performance and Politics. University of São Paulo, São Paulo. 17 January 2013. Working group presentation.
Hermant, Heather. ribcage: this wide passage. Trans. as thorax : une cage en éclats by Nadine Desrochers. Unpublished script-score. Print. Personal collection of Heather Hermant.
Kershaw, Baz and Angela Piccini. "Practice as Research in Performance: from Epistemology to Evaluation." Journal of Media Practice 4.2 (2003): 113-123. Print. DOI: https://doi.org/10.1386/jmpr.4.2.113/0
Klein, Julie Thompson. Crossing Boundaries: Knowledge, Disciplinarities and Interdisciplinarities. Charlottesville: UP Virginia, 1996. Print.
Lasry, Pierre. Une juive en Nouvelle-France. 2001. Montréal: Midbar Editions, 2004. Print.
Lasry, Pierre. Esther: A Jewish Odyssey. Montréal: Midbar Editions, 2004. Print.
Lugones, Maria. "Toward a Decolonial Feminism." Hypatia 25.4 (2010): 742-759. Print. DOI: https://doi.org/10.1111/j.1527-2001.2010.01137.x
Mariscal, George. "The Role of Spain in Contemporary Race Theory." Arizona Journal of Hispanic Cultural Studies. 2 (1998): 7-22. Print. DOI: https://doi.org/10.1353/hcs.2011.0018
McKay, Sharon E. Esther. Toronto: Penguin, 2004. Print.
Oberlander, Wendy. Translating Esther. Curated by Carolyn Bell Farrell. The Koffler Gallery, Toronto. 20 March – 4 May 2003. Installation.
Roberts, Diane. "The Lost Body: Recovering Memory—A Personal Legacy." ¡Viva! Community Arts and Popular Education in the Americas. Ed. Deborah Barndt. SUNY Press, Albany; Between the Lines: Toronto, 2011. 42-54. Print.
Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge, 2011. PDF file. DOI: https://doi.org/10.4324/9780203852873
Shoemaker, Deanna B. "Autoethnographic Journeys: Performing Possibilities/Utopias/Futures.” Handbook of Autoethnography. Eds. Stacy Holman-Jones, Tony E. Adams and Carolyn Ellis. Walnut Creek: Left Coast Press, 2013. 517-537. Bluefire Reader.
Steinberg, Sylvie. La confusion des sexes: Le Travestissement de la renaissance à la revolution. Paris: Fayard, 2001. Print.
Stoler, Ann Laura. Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense. Princeton and Oxford: Princeton University Press, 2009. Print.
Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham and London: Duke University Press, 2003. Print. DOI: https://doi.org/10.1215/9780822385318
The Jew in Canada. Toronto: Jewish Publications Limited, 1926. Print.
Velasco, Sherry. The Lieutenant Nun: Transgenderism, Lesbian Desire, & Catalina de Erauso. Austin: University of Texas Press, 2000. Print.
Wahrman, Dror. The Making of the Modern Self. New Haven, CT: Yale UP, 2004. Print.
Downloads
Como Citar
Edição
Seção
Licença
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
