Performing Archives of Passing, Moving Bodies across Language Heather Hermant
DOI:
https://doi.org/10.25071/1925-5624.37813Resumen
En esta crónica de viaje experimental acerca de un proceso se narra un trabajo de investigación-creación entorno a la figura de Esther Brandeau / Jacques La Fargue, quien en el siglo XVIII cruzó múltiples fronteras: se trataba de una mujer judía que se hacía pasar por un varón cristiano, y fue a su vez la primera persona judía de quien se tiene registro de entrada al territorio ahora conocido como Canadá. Esther Brandeau / Jacques La Fargue fue, por estos dos motivos, víctma de delación y deportación. Esta figura histórica atravesó a la vez varios ejes de diferenciación; su movilidad, esos pasajes múltiples y simultáneos, y los trozos de evidencia fracturada que, al hacer erupción, dan su vida a conocer, requieren de acercamientos singulares para lograr traducir este personaje de los textos coloniales franceses al discurso colonial actual. El presente artículo describe la compleja tarea de traducir la primera obra de teatro estilo caja negra realizada para dar cuenta de esta historia. Se trata del montaje de Heather Hermant, titulado ribcage: this wide passage, traducido como thorax: un cage en éclats (trad. Al francés de Nadine Desrochers). La autora sitúa esta práctica-investigación en el marco de debates actuales acerca de qué constituye una forma de conocimiento y también entorno a la idea del cuerpo como archivo. Plantea desde su experiencia la idea del performance-como-investigación como un ámbito en el cual se logra elaborar una “nueva interseccionalidad”, y también la imagen del cuerpo como traductor-traducción entre distintos idiomas y géneros, temporalidades y espacialidades.
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